Yushi Yashima

Born in Kobe in 1981. Regarding his work creation as one method to trace society, he conducts presentations that focus on visuals, three-dimensional objects, and installations. By accumulating the pieces of information that don’t remain in the memories scattered about everyday life, he sheds light on internalized norms and visions of society that have not been seen.
Works
SCAN

SCAN

I shoot living people, towns and landscapes using 3D scanner that can record subjects as moving images with time axis. In order to consciously grasp the days that pass, I symbolically treated uncountable things and acts, such as crowds, nature, everyday life, narrowing the motif of the work to “flow”. In the shooting, I set...
ARS ELECTRONICA in the KNOWLEDGE CAPITAL VOL.6. IMPETUS AND MOVEMENT EXPAND

ARS ELECTRONICA in the KNOWLEDGE CAPITAL VOL.6. IMPETUS AND MOVEMENT EXPAND

Project Dive -Methods to trace a city Experiment of moving image with multiple perspective Cameras. Artist Yushi Yashima 3D system development and Technical cooperation with Shogo Tanaka. Exhibition Schedule 10:00~21:00 10/5(wed.)~10/9(sun.),2016 *10/5(wed.) 13:00〜21:00, 10/9(sun.) 10:00~19:00 Venue The Lab. 2nd floor / Active Studio/Knowledge Capital(OSAKA,JAPAN) https://kc-i.jp/en/activity/arselectronica/vol06/expand.php    
Hashima Light and Shade

Hashima Light and Shade

Hashima Light and Shade faintly illuminates the traces of the livelihood that remains in the old tools, furniture, toys, etc. found in an old Japanese-style house through luminescent paint and laser lights. It is an installation work where the memories of a location are spun together through light.     Artist: Yushi Yashima + Msayuki...
The Dive – Methods to trace a city

The Dive – Methods to trace a city

Entrusting a camera. This work is a multi-channel video installation where I strap 6 cameras to my body (both wrists, both ankles, my forehead, and the back of my head), and simultaneously film the scenery while I am walking around. This is not filming for a subject, but rather to record the scenery while following...
Exhibition “formless works” N-mark B1

Exhibition “formless works” N-mark B1

formless works samples the memos you see at stationery and book stores where people test out writing utensils, and creates works by extracting the writing leftover on those memos. By changing the wandering lines and symbols taken from the memos into acryl and neon tubes, it changes worthless and meaningless trash into valuable materials, and...
Exhibition “formless works” GALLERY 9

Exhibition “formless works” GALLERY 9

GALLERY 9のプレオープン企画として、個展「formless works」を開催しました。 会期:2012年1月30日(月)– 2月2日(日) 展覧会詳細:http://www.ga-q.com/ex/2012/001_yashima.html 作品情報:formless works  
Exhibition “Disappearance” CUBIC gallery ITEZA

Exhibition “Disappearance” CUBIC gallery ITEZA

立体ギャラリー射手座にて、個展「Disappearance」を開催しました。 会期:2010年6月8日(火)– 6月13日(日) 作品情報:Disappearance     Year: 2010 Technique and Medium: cloth, epoxy resin
Disappearance

Disappearance

This work is one where, after covering the objects around me with cloth, I harden the cloth with resin, preserving and drawing out the shape of the covered objects. Semi-transparent cloths with nothing under them make the viewer aware of that cloth’s interior. By manipulating (covering) the surface of the object that will become the...
The city as seen through the eyes of a cat

The city as seen through the eyes of a cat

The city as seen through the eyes of a cat is a film work where I attached a small camera to my pet cat and filmed what it saw. It is a new attempt to examine the city from a layer different than a human’s.     Year: 2009 Technique and Medium: Digital video 28min...
MA. The words that don’t become words (interview)

MA. The words that don’t become words (interview)

Our daily lives can be thought of as a world that, taking out the symbolized, surface images, is constructed by a processed and edited identity. This work is a film work that was joined together by asking a Shinto priest, a firefighter, a female store manager, and a Buddhist priest some questions and editing their...
P.A

P.A

I consider the walls of my room to be the boundary separating private and public. After tracing the walls of my room from the private side in silicon rubber, I reconstructed them in a public space where the general public can see them. Like an empty shell, the thin, silicon film that was pulled from...
Light Filter Wall

Light Filter Wall

This work was created with the objective of making the relationship of the gaze of the subject watching and the subject being watched ambiguous. The work is a number of straws lined up side-by-side and stacked into a pyramid state, and in the straws of that pyramid there are bugs that are the subject being...